Sofia is my cousins daughter. She was 9 years old when the drawing was made. I always take the drawing a little further than nessesary for the later painting stages. The reason for that is, that I simply enjoy the drawing process and find it hard to stop. In reality I could have stopped way before, since I only really need the placements of the eyes, nose, mouth and the overall shape of the head and hair.
My measurements for this portrait pencil sketch of Sofia was really thorough. I was very accurate placing marks in the center which you can see by the fat middle line that goes down trough the face from the nostril and up to the forhead and down to the cheek. Reason for this accuracy was that the painting was for my aunt. So I needed my drawing to be my solid foundation to rely on. As stated earlier I feel safe when my drawing is well done.
Eyes were done with no measuring. I sketched the eyes with my eyesight. Needed to correct it a couple of times because I felt the eyes was the reason why it did not look like the “real” Sofia. As I corrected them it helped. I had put a to hard line around the eyes and it made her look older. It’s really tricky with kids, when you draw them, to make them look as young as they are. Because the skin is so smooth, so there is not many little wrinkles et cetera that gives kids their specifik look or character.
As you see I have made a big shadow on the nose of the portrait pencil sketch of Sofia. I really like to “hide or mask” the nose behind a shadow. The more the better -And to only hint the nostrils. It does not destroy the alikeness, even though I was drawing a very young girl. I was in general satisfied with the nose on the drawing.
The mouth is my area of trouble in general. And also on this drawing. My master told me that the drawing and painting has to be lose around the mouth. It’s better that you really can’t se what goes on in that area, but that it still defines a mouth. And even though with this information I tend to draw the lines to hard. The more vague and soft the lines are around the mouth the better. The mouth area also made her look older than she was in reality. I kept it this way knowing that I had to put layers of paint on top of it anyway.
I’m happy with my shadows on this drawing. Feel like they hide a lot without destroying the alikeness of the portrait. I love shadows in portraits. It gives it depth and character. My shadows are defined my hatching with the pencil. Hathing means seperate line next to eachother. Few places like the eyebrows and the nostrils I pushed the pencil harder to make it look darker. But in reality it’s not good to make the shadows to dark when you’re working with a sketch in my opinion. The reason for this is because my darker paints for shadows are transparent. You can see trough them after they are laid on the canvas. That means that if you look through enough you can see the pencil. And I personally do not like that.
What could I have done better and reflection
To sum it all up i’m overall happy with this little portrait pencil sketch of Sofia. It took me around 2,5 hours which is not that bad. Prefereably I would have wanted her took to look a little younger, I’m still not overall happy with the mouth as stated earlier. I could have used more time to soften it more. Maybe that would have changed the appearence of her. It could be the fact that the lips looks very defined – almost like lipstick that makes her look older that she really is.
For more information about how I build up my portrait step by step follow this link https://portraitpaintingblog.com/portrait-painting-step-by-step/
Fore more information about how I mix my color follow this link https://portraitpaintingblog.com/color-palette-portrait-painting/